Director – Henry Selick
Starring – Danny Elfman, Chris Sarandon, Catherine O’Hara and Paul Reubens
Runtime – 75 minutes
Release date – 25th November 1994
Plot – Jack Skellington, a being from Halloween Town, finds Christmas Town and is instantly enchanted. The situation becomes riveting when his obsession with Christmas leads him to abduct Santa Claus.
REVIEW:
Having only seen Tim Burton’s The Nightmare Before Christmas once many years ago, I must admit that I feel a sense of shame. This film has grown into such a beloved holiday essential, celebrated by fans across both Halloween and Christmas seasons, that it deserves more frequent viewings. Re-watching it now, it’s clear why this movie has become a cult classic. It’s not just a whimsical holiday tale; it’s a masterful blend of dark, grotesque aesthetics with a cheerful and heartwarming core.
It’s important to highlight that while Tim Burton’s name is often front and center, the movie was actually directed by Henry Selick, marking his feature film directorial debut. Selick, who later went on to direct Coraline and James and the Giant Peach, showcases his extraordinary talent for stop-motion animation here. The film’s relatively short runtime of just 1 hour and 15 minutes in no way diminishes the impact of the incredible craftsmanship on display. As someone who has studied film and even dabbled in stop-motion, I can vouch to the difficulty of the medium, and the work done here is nothing short of impressive.
The film seamlessly blends the themes and aesthetics of both Halloween and Christmas, creating a unique and enchanting experience. The Nightmare Before Christmas is as much a Halloween movie as it is a Christmas one, with its spooky, yet delightful characters and setting. The film’s whimsical nature is elevated by its charm, with each scene offering a new, fantastical world to get lost in. The duality of the film’s nature—dark and eerie, yet full of heart—makes it a timeless piece that appeals to a wide audience.
Danny Elfman’s music is another standout aspect of the film. His score perfectly complements the movie’s tone, with its mix of haunting melodies and lively tunes. The songs are catchy and memorable, and they add an extra layer of emotion and whimsy to the film. Elfman’s music, along with the stunning visuals, leaves a lasting impression that endures well beyond the final scene.
Visually, the film is a true feast for the eyes. The grotesque, yet endearing designs of the characters and settings give the movie its distinctive Tim Burton flair. Fans of Burton’s work will feel right at home with The Nightmare Before Christmas, as it carries his signature style throughout. At the same time, Henry Selick’s direction brings a unique touch that fans of Coraline will also appreciate. The blend of Burton’s imaginative world-building and Selick’s meticulous animation work results in a film that is as artistically significant as it is entertaining.
In conclusion, I’ll definitely be adding The Nightmare Before Christmas to my list of yearly Christmas movies. It’s a film that only gets better with time, revealing new layers of depth and artistry with each viewing. Whether you’re a fan of Tim Burton, Henry Selick, or just love a good holiday movie, this film is a must-watch. It’s a testament to the power of stop-motion animation and a reminder of the magic that can be created when talented filmmakers come together to craft something truly special.