Mission: Impossible – Fallout

REVIEW:

Mission: Impossible – Fallout is nothing short of a cinematic masterclass in action filmmaking. Firstly, this movie has one of the best movie trailers ever made! The excitement it built was unbelievable. The pacing, music, stunts – it was a trailer that didn’t just tease, it thrilled. I’ve added the trailer below just so you can watch it. Even knowing what was coming, it had me counting down the days until release like a kid waiting for Christmas.

Unlike previous instalments, Fallout picks up directly where Rogue Nation left off, with the apostles – the remnants of the Syndicate – continuing their mission of chaos and destruction. What sets this film apart is how deeply personal it becomes. Ethan Hunt isn’t just saving the world this time; he’s forced into decisions where the world might fall because of him. His refusal to let loved ones die – no matter the cost – makes him one of the most emotionally driven action heroes we’ve seen. It’s a high-stakes morality test, and Tom Cruise plays it to perfection.

Spoiler warning: this review does touch on some key plot points, but believe me, no words can capture the intensity of seeing it all unfold on screen. The storm beneath the clouds when Ethan and August (a cold, commanding Henry Cavill) jump out of the plane above Paris is breathtaking. It’s one of those moments where you’re not just watching a movie – you’re holding your breath right alongside the characters. The visuals in this film are on another level, with IMAX cameras capturing every sky-splitting second. Just like Rogue Nation, this is an incredible looking movie – and deserves to be watched on the biggest screen possible.

The bathroom fight scene alone deserves its own paragraph. Brutal, raw, and so brilliantly choreographed, it feels like the walls could barely contain the fury of Ethan and Walker as they rip through their opponents – and nearly each other. Henry Cavill “reloading” his arms before throwing punches is just badass incarnate. I read that move was improvised, and honestly, it’s the kind of detail that becomes instantly iconic. That scene isn’t just a fight – it’s a statement.

Then there’s Vanessa Kirby as the White Widow, who adds a seductive unpredictability to the film. Every scene she’s in feels like a game of chess where no one knows the rules except her. I’m thrilled she’s going to be Sue Storm in The Fantastic Four: First Steps – she brings the elegance, edge, and intelligence that can make that character soar. Fallout shows just how much fun she can have while commanding attention.

The motorcycle chase through Paris is, simply put, action cinema at its peak. The way McQuarrie shoots it – fast but always clear – you feel every swerve, every near miss, every gear shift. It’s not just thrilling; it’s almost poetic. And Alec Baldwin – though only present for two films – brings gravitas and heart. His death hits hard, more than expected, and is a reminder that no character is truly safe in this franchise.

Michelle Monaghan returning as Julia was a welcome and emotional surprise. Her presence adds another layer of tension and humanity to the already explosive final act. It beautifully ties together threads from previous films, grounding Ethan’s impossible choices with real emotional weight. And that final act? Thirty minutes of pure adrenaline, a helicopter chase so stunning it barely seems real. But it is real – that’s what makes it jaw-dropping. Cruise flying that chopper himself, with the IMAX capturing every dizzying dive and near miss, makes this one of the best climaxes in action history.

There are no flaws here. None. This is hands down the best Mission: Impossible movie. A relentless, exhilarating masterpiece with real stakes, real stunts, and a beating heart. It’s everything we go to the movies for – and more. Fallout doesn’t just raise the bar for the franchise. It is the bar.