Director – Paul Feig
Starring – Emilia Clarke, Henry Golding and Emma Thompson
Runtime – 103 minutes
Release date – 15th November 2019
Plot – Kate is a young woman subscribed to bad decisions. Working as an elf in a year-round Christmas store is not good for the wannabe singer. However, she meets Tom there. Her life takes a new turn–that seems too good to be true.
REVIEW:
I absolutely adored Last Christmas. Directed by Paul Feig, this festive rom-com masterfully weaves humour, romance, and a touch of holiday magic into a captivating story that lingers in your heart well beyond its final moments. With a script penned by Emma Thompson, the film presents an emotional depth that elevates it far beyond the typical seasonal fluff. It’s a heartwarming tale that dares to be different, making it a standout in the crowded Christmas movie genre.
Emilia Clarke delivers a radiant performance as Kate, a struggling young woman whose life feels as messy as her choices. Clarke brings an endearing vulnerability to the role, allowing audiences to empathise with her flawed but lovable character. Paired with Henry Golding’s charming and mysterious Tom, their chemistry is palpable, creating a romance that feels both genuine and enchanting. Together, they breathe life into a story that is as touching as it is uplifting.
The soundtrack, featuring the iconic music of George Michael, is a triumph in its own right. His uplifting melodies perfectly underscore the film’s emotional beats, adding layers of nostalgia and warmth. The title song, “Last Christmas,” takes on an entirely new meaning by the film’s end, tying the narrative and music together in a deeply moving way. Michael’s music is not just a backdrop but a vital part of the storytelling, making it an unforgettable experience for fans of his work.
What truly sets Last Christmas apart is its twist. I did not see it coming, and it caught me completely off guard. In hindsight, the subtle clues were all there, but the revelation is so cleverly handled that it feels like an emotional sucker punch. It’s a moment that redefines the entire story, turning what could have been a predictable rom-com into something much more profound and bittersweet.
While many Christmas rom-coms rely on tired tropes and cookie-cutter plots, Last Christmas stands out as a much-needed breath of fresh air. It avoids the overly saccharine clichés and instead offers a narrative grounded in humanity and redemption. Compared to the avalanche of forgettable festive romances available, this film is in a league of its own, offering both substance and style.
Paul Feig’s direction is light yet assured, balancing humour and heart with ease. The London setting adds a magical touch, with its twinkling lights and bustling streets serving as the perfect backdrop for a story about second chances and self-discovery. Feig captures the essence of Christmas without resorting to caricature, making the film feel authentic and relatable.
In the end, Last Christmas is a great romantic comedy that I would recommend to anyone looking for something meaningful this holiday season. With captivating performances by Emilia Clarke and Henry Golding, a killer soundtrack by George Michael, and a twist that will leave you speechless, it’s a film that redefines what a Christmas movie can be. Don’t miss it—it’s a gift worth unwrapping.
Good review, a good film just not my kind but I did enjoy it.